I've long wanted to make a landscape featuring the dramatic red of poppies which thrill us in the summer but it's been a while in the pipeline as I've experimented with different ways of interpreting the poppies and the summer trees. With this image I think I'm getting there!

The original was a monotype - a unique printed painting. I use rollers and dabbers to spread out the ink then make marks with a cloth and other tools. I incorporate textured materials by impressing inked up wallpaper and fabric.

This giclee reproduction is made to the highest standards on high quality paper. The accuracy of colour to the original is first rate.

 

Available framed, mounted or unmounted 
If you can't select an option it's out of stock and will be back in soon.

 

Mounted option: it comes with an acid free soft white window mount and backing board. Cellophane wrapped and carefully flat-packed in a strong cardboard box. 
UK shipping £8

 

Framed option: The frame is solid oak, just beautiful natural wood 3cm (front) x 2cm (side) . It has an acid free soft white window mount. Ready to hang with d-rings and string attached. It is very well packed in a spacious box with padding all round.
UK shipping £30

 

Unmounted option: It comes wrapped in tissue and plastic and rolled in a wide strong tube. UK shipping £8. Suitable for international customers.

Poppy Field giclée print

£180.00Price
Options for framing and mounting
  • Limited edition giclée print
  • Pigment inks on Innova 310gsm archival paper
  • Image size 37.5 x 57 cm
  • Mounted size 55.5 x 74 cm
  • Framed size 62 x 80 cm
  • Signed and numbered on the front
  • edition 100

 

International customers please select unmounted option. I currently ship to USA, Canada, Europe, Australia and New Zealand . Please get in touch for other destinations.

Rebecca Vincent

The Hearth, Main Road, Horsley, Northumberland NE15 0NT

Email info@rebecca-vincent.co.uk

Phone 07717 256169

Photographs by Alun Calendar for Country Living and Kate Buckingham for Hexham Courant

©2016 by Rebecca Vincent.

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