This image returns to the theme of a flooded forest with the symmetry of tree reflections. I included contrasting colour highlights within the layers of trees. When I’m working on a piece like this, the colour and shape relationships can become quite abstract and move away from realism. Lifting away the stencils was really exciting with the final black layer when I finally got to see the main tree shapes

The original for this is a monotype, a unique printed painting. I use rollers and dabbers to spread out the ink then make marks with a cloth and other tools. I incorporate textured materials by impressing inked up wallpaper and fabric.

This is a reproduction canvas print on a wood "stretcher".

Here are some answers to questions people ask about this type of print.

• Is it limited edition? Yes – it will be part of the existing edition of 100

• Will it be signed? Yes it will be signed and numbered on the back as there’s no discrete way to sign the front.

• Are the colours a good match to the original? Yes, just like my paper prints, the colours have been carefully matched to the original.

• Will it stand the test of time? Yes, the canvas and inks are archival quality with a protective varnish (not shiny). The canvas is Innova Exhibition Matte Canvas 380gsm with pigment inks.

• Will I lose some of the picture round the sides? No, the printer samples the image to create borders that match seamlessly with the front face.

• How do I clean it? You can dust it with a soft clean dry cloth or wipe gently with a damp cloth.

• How do I hang it on the wall? D rings and string are attached just like for a regular picture. If it’s a large one you’ll need to put two picture hooks for stability.