I’m midway through a new series of monotype prints inspired by the Northumberland coast, exploring Bamburgh and Lindisfarne castles. This post shares the work in progress, showing how layered stencils, careful registration, and light-to-dark tonal planning shape skies, seascapes, and foreground plants. I reveal the decisions, adjustments, and discoveries that guide each stage, offering a behind-the-scenes look at how the prints evolve.

I’m excited to share a new series of Lindisfarne Castle monotypes, exploring a single composition in multiple ways. Inspired by the changing dawn light on Holy Island, Northumberland, each print captures subtle shifts in colour, reflection, and atmosphere. Through repetition and translucent layers of ink, I explore how one subject can reveal endless moods and moments, from still waters to shimmering sunlight on the sea.

A brooding, wave-lashed take on Dunstanburgh Castle rounds off my Northumberland series — and it was by far the trickiest! In this blog, I share all six monotypes, the technical hurdles (hello, dissolving ink!), and a video of me at work. It’s about learning through doing, chasing atmosphere, and pushing my process into wilder waters. Come see how one piece flowed into the next.

Following on from last month's post In the Black - Bamburgh Castle monotypes, I'm delighted to now share the completed art work.

Bamburgh Castle monotypes in progress in black ink. I'm experimenting with, reflections, mark-making and colour to push creative boundaries.

When I learnt how to create monotypes at art school, it was a medium known for it's swift, mark-making that delivered fast, expressive resul

I'm delighted to share with you four new sunset art panoramas created using monotype printmaking. If you saw my previous post "Rear View...